Voice Leading Basics

Please note that the following information is based upon my own limited understanding of the subject and may be inaccurate.  If you have access to a music teacher or similar, they may be able to explain the subject more completely.

Since writing this post, I've learned more about this subject from the excellent Coursera course "Write Like Mozart: An Introduction to Classical Music Composition".  If I get time I'll revise and add more detail (perhaps in a 2nd part).

Wikipedia defines voice leading as follows – “In musical composition, voice leading is a musical arrangement for any type of voicing where each musical note transitions to the next in a smooth, harmonious way” (Wikipedia).

I was taught to use voice leading to smooth the transitions between chords, so that the chord can be separated out into smooth “voices” which can be then used as the basis for individual instruments.

Say you have a I IV V progression in C Major. Looking at that visually (in MIDI in this case), you can see that there are quite big movements between the chords (i.e. C –F – G).

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Figure 1 – A I IV V chord progression in C Major

By moving some of those higher notes down an octave or lower notes up an octave (to make chord inversions) you can make the same chords but with smaller shifts, making the transitions smoother.

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Figure 2 – The same chords as Figure 1, with the 5th of the F and G chords moved down an octave.

You can then separate those “voices” out and assign them to different instruments. For example, I could:

  • Give the “bottom line” (C C D) to a Cello (probably move it down an octave though).
  • Give the “middle line” (E F G) to a Viola
  • Give the “top line” (G A B) to a Violin (probably move it up at least one octave though).
  • Perhaps have another instrument playing the same as one of the others, but an octave higher or lower.

Because the lowest note you’ll be hearing won’t be the root of the chord, you will likely want another instrument to play a bass line, covering the root for each chord (C F G in this case). It may end up sounding weird if you don’t do this.

Once you’ve got the voices, you can play around with the rhythms they are playing and add complexity to it, maybe build out a melody, etc. Just as long as they are helping establish the chord by playing that chord tone at (or near (?)) the start of the bar.

DAW Software and Plugins

There’s a lot of DAW software out there and if you’re willing to spend a little (or a lot) there’s some real gems. This is a list of software which I use or otherwise recommend.  Some of these were recommended by my own instructors, others I’ve found on my own.  I will continue to add to this over time, where possible.

Update 1 (16/05/15) – added Digital Performer, Indiginus (Solid State Symphony), Orange Tree Samples and iZotope.

DAWS

  • Ableton Live 9 (or Live Suite 9 if you prefer). Really nice and easy to use DAW, though aimed more at performing musicians than the typical sequencer user.  Until recently this has been my main DAW – www.ableton.com.
  • Digital Performer.  I was recently introduced to DP on a course, it’s very powerful and well thought of amongst composers.  I’m currently learning my way around DP and whilst it has the usual oddities of any product, I’m finding it very usable; plus MOTU’s support is excellent – www.motu.com.
  • Logic Pro X.  A very affordable and well liked DAW from Apple.  Mac only.  A steal at the price, but I don’t really get along with it for some reason – www.apple.com.
  • Reaper 4. An extremely cost-effective, but powerful DAW, well worth looking at if you are on a budget – www.reaper.fm.

Plugins & Sample Libraries

  • Toontrack EZDrummer 2 and Superior Drummer 2. Excellent sampled drums with kits and MIDI available in a variety of styles.  EZDrummer is the more affordable product, but Superior Drummer is more powerful and there is a cross product upgrade if needed – www.toontrack.com.
  • Peavey Revalver 4.  Peavey’s new version of Revalver is pretty much the best software guitar amp I’ve heard, equalling and possibly exceeding the LePou plugins below – www.peavey.com.
  • LePou Plugins.  These are some of the best sounding software guitar amps I’ve come across for the unbeatable price of…free –   lepouplugins.blogspot.co.uk.
  • East West Quantum Leap Play Libraries (eg. CCC2 ).  If you’re looking for sampled orchestral or ethnic instruments, these libraries are fantastic…but not cheap – www.soundsonline-europe.com.
  • Native Instruments Libraries.  There’s a metric tonne of stuff on the NI website (including some freebies) and everything I’ve used of theirs has been good quality.  A lot of people consider Komplete an industry standard and a lot of other products use Kontact to drive their own plugins – www.native-instruments.com.
  • Heavyocity Libraries.  These guys are mental in the best possible way, particularly the wonderful Damage library – www.heavyocity.com.
  • Output Libraries.  Both Rev and Signal are excellent (and pleasingly unusual) products – Rev is entirely based upon reversed sounds, which at first seems kinda weird, but there’s some great sounds in here and Signal is a “pulse engine” – www.outputsounds.com.
  • Toontrack EZKeys.  Useful if you want piano parts in your projects but don’t play piano well.  Lots of MIDI available for different genres – www.toontrack.com.
  • Toontrack EZMix 2.  Another Toontrack product! If you are a mastering noob like me, this is full of useful mixing and mastering presets.  The downside is you can’t really tweak them much or see how they work (unlike iZotope’s below) – www.toontrack.com.
  • iZotope Plugins.  iZotope do some fantastic mixing and mastering, post production and effects plugins.  I’ve moved onto Alloy and Ozone from EZMix 2 as they are more configurable and you can see how the presets are constructed.  They are however, considerably more expensive – www.izotope.com.
  • Indiginus Libraries.  Some great cheap Kontakt Libraries (which require the full version of Kontakt).  Solid State Symphony is great for example – www.indiginus.com .
  • Orange Tree Samples.  Like Indiginus, these libraries require the full version of Kontakt.  They seem to specialise in sampled guitars and Evolution Strawberry in particular has a good reputation – www.orangetreesamples.com.

Track: “Unknown Entity”

This track, which is a couple of years old, was my first real attempt at a full track. Built as a lesson project with specific guidelines, so it’s intentionally basic.

There’s some issues with Ableton warping the guitar parts (and some iffy playing!).

Produced using Ableton Live, East West Play libraries, Toontrack Superior Drummer and LePou’s guitar amp simulators.

Time for a Clean Up

The site’s been pretty empty for a while, so I’ve decided to prune those old, no longer relevant posts and pop some new content up…which I’ll still probably not bother to update going forward :p.

Watch this space…but don’t hold your breath!